![]() ![]() In terms of the story, I just found that it stretched my imagination too far. In fact, it was so annoying that I couldn't force myself to listen to the rest of the story on the way home, and I decided to just call it quits. It was exceedingly hard for me to concentrate on the story, and I was listening on a long car trip with no distractions. dinner." There were these pauses throughout that threw me off, and he put emphasis on odd words in his sentences that made the whole narration feel unnatural. However, the most annoying this about the narrator for me was the way he stressed certain words that I would never think to accent. ![]() ![]() It sounded like a mouse or something, and it was actually difficult for me to catch some of the words because of the changes in volume when he switched from Trevor to Ford. However, I really hated the squeaky, and at times barely audible, voice of Ford. When he was reading Trevor, I enjoyed the deep, raspy quality of his tone. I liked certain part of his performance, namely the tone of his voice. Ron Herczig was a bizarre narrator for me. However, in this case I MUST talk about the narrator first. Sometimes with audiobook reviews I talk about the audio at the end of the review because it isn't the main factor in how I feel about a story. I either LOOOOVE CC's books or I hate them. We have super high highs (Perfect Imperfections) and super low lows (A Shot at Forgiveness) and, honestly, not that much in between. and I have a very tumultuous relationship. ![]()
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